By title in chronological order

In my Letterboxed profile for now. It’ll get moved to a page here when I have time to fix all the links.

By the numbers:

Total: 90, if you like round numbers & include sing-along Buffy.
Free: 22
Revival: 18
Festivals: 26 (4 of which were free)
Collections of shorts: 3
Actual first-run features I went to and paid for like a normal person: 26. THAT IS NOT THAT MANY, PEOPLE. It’s one every two weeks.

By the totally made-up and random categories:

Best features: No Country For Old Men, Zodiac, Once.

Runners-up: Atonement, Lust, Caution, The Diving Bell and the Butterfly.

Also touching: Juno, Hula Girls.

Feature I respect, but could never see again: Before the Devil Knows You’re Dead

Best documentaries: Red Without Blue, Blood on the Flat Track: The Rise of the Rat City Rollergirls, Manufactured Landscapes

Best feature by a new director: Away From Her, Dir. Sarah Polley

Best gay films: No Regret, The Bubble (Which isn’t saying a lot. Really, I’d like to just say Happy Together. It’s definitely the best one I saw. Bless revival!)

Most surprisingly gay films: Spider-Man 3, Superbad

Movie worth seeing solely for Chris Cooper: Breach

Proof that commercial films can still be awesome: The Bourne Ultimatum, Michael Clayton

Biggest inducer of directorial expectation whip-lash: The Boss of It All, Dir. Lars von Trier

Best supporting cast: Into the Wild

Best use of genre: Grindhouse, Hot Fuzz, The Host, Sunshine

Film that left genre behind: I’m Not There

Best song: “Falling Slowly”, Once

Best cinematography: Roger Deakins, The Assassination of Jesse James by the Coward Robert Ford, Dariusz Wolski (and, let’s be honest, Tim Burton), Sweeney Todd

Best special effects: Zodiac, for seamless background work *seriously*, The Golden Compass, for Pantalaimon.

Still unseen, for which I am sorry: For the Bible Tells Me So (because it only played for a week), The Savages, Persepolis, & There Will Be Blood (because they are only just coming out), Grace is Gone (because fuck if I know *when* it’s coming out), Control & This is England (because I suck).

I took myself out to see Charlie Wilson’s War after work on Christmas Eve, thinking I deserved it (see “working” and “Christmas Eve” for starters.) I wanted to see it mostly for Aaron Sorkin’s script, from which this film is trimmed. Only about 70% of his script appears on film, smoothing it down, drawing fewer parallels to the current state of affairs, and the bookending flash-forwards hammer all the heroism home.

As it was, it’s an engaging film with all the snap you would expect from Sorkin. Hoffman is awesome. It stays with you. It’s worth a rental. But with that other 30%, with that complexity, with those guts, it could have been great.

(In state-of-the-journal news, I will likely be putting all of my seen-in-2007 into a post, then a sum-up that some of you have seen elsewhere, and then I am going to look into exporting the whole she-bang to WordPress. I will create a feed & let you know when that happens. If anyone cares :) )